| ‘You’re all just prejudiced, not to mention stupid!’
By Hannah R. Goodman
Two years ago I published my first novel, “My Sister’s
Wedding,” that features a 15-year-old girl struggling with the
many alcoholics in her life. Maddie, the protagonist, and my alter-ego
teenage self, happens to be Jewish in the same way she also happens
to have brown eyes (both are traits of my own).
My intention when writing the book was to show that a teenage girl
can struggle with family secrets, boyfriend, friendship and sibling
problems and maintain not only a sense of humor but also actually
grow from it — as opposed to what most young adult literature
seems to show – gratuitous sex and drinking portrayed in a
no-big-deal manner. I wanted to show struggle and growth wrapped up
in humor and, dare I say, values — of friendship and family
foremost.
Simply put, Maddie’s Jewishness was not something I thought
would cause any conversation among readers or be a reason for an organization,
newspaper, or magazine to take an interest in me the author or the
book itself.
I was wrong.
Upon publication, Maddie’s Jewishness became a “hook” in
terms of a marketing strategy and, like Maddie’s Jewishness,
there was no ulterior motive, no preplanning, no intention behind
it. I was so unaware of marketing that all I did was read one book
that I found in my overstuffed bookshelf — it advised the author
to examine themes in the book and then look for organizations that
connect to them. AA was number one and Jewish organizations were number
10. AA didn’t respond (too large of an organization plus they
don’t endorse any book) and several other organizations that
were listed above Jewish groups were also tepid in responses. However,
the response from Jewish organizations was immediate. In fact, I’m
still in contact with each of those organizations two years later.
So, I took that lead and threw myself into marketing to the Jewish
audience. I donated books to temples, Jewish organizations for alcoholics,
Jewish day schools and was invited to come and speak at quite a few
of them. I sent books to Jewish magazines and newspapers and, in response,
was asked to write pieces about being Jewish for them. And as I wrote
the pieces and went to the temples and spoke to kids and parents and
clergy about the book, the label “Jewish” writer began
to emerge.
And it felt weird. Not wrong weird but uncomfortable.
I remember the moment when I first realized this. I was sitting with
10 fifteen-year-olds at a confirmation class. The rabbi had asked
me to focus my discussion on a part of the book that deals with being
a Jewish teenager. I selected a scene where Maddie recalls being ostracized
and teased for being one of the few Jewish kids in her elementary
school. It’s a flash of a scene but after I finished reading
it to them, it garnered an hour’s worth of debate about anti-Semitism
in schools. They posed the following questions to me: Where did the
idea for the scene come from? And, why did I include this in the book?
Made me shift uncomfortably in the hard steel-folding chair. My response
to this group resulted in a hush across the table so sad I thought
I might weep: “I put this into the book as an attempt to deal
with the childhood shame I felt being a Jew in a town of Christians.
I was teased for being Jewish on the softball field by an older teammate
who sang ‘Hey Jew’ to the tune of ‘Hey Jude.’ I
was singled out for being Jewish. It was embarrassing to have teachers
ask me, ‘Hannah can you stand up and tell us the story of Hanukkah?’ Or, ‘Hannah
do your people celebrate Thanksgiving?’”
My answer to them was shocking to me. I never realized I viewed any
of that teasing as anything more than regular hazing kids experience.
I never realized I felt that shame. So sitting their feeling the usual
weirdness I had been feeling after going to Jewish events and discussing
my book, the weirdness took on a very clear meaning: I am ashamed
of my Jewishness and yet here I am talking about my Jewish character
and being a Jewish writer but really I am a fraud. I am uncomfortable
being called a Jewish writer because Jewish writers to me, like Bernard
Malamud or Chaim Potok, are proud of their heritage. The truth is,
I told those kids I dealt with shame only as a child but really I
continue to struggle with it today as a 30-year-old woman.
The sun blinded me for a moment as my mind began to unravel why I
felt such shame. In my childhood I was uncomfortable being Jewish.
Even though that schoolyard teasing I mentioned to the confirmation
class was over by middle school due to a more diverse population than
my grammar school (simply put, more Jews, more minorities in general),
the ignorance of people about being a Jew followed me all the way
(and continues) through adulthood, rendering me helpless. Helpless
when it comes to asserting my Jewish identity. But why? Why don’t
I stand up to the ignorance? Why didn’t I as a child? Why don’t
I as an adult? Why do I find myself blushing and waving my hand at
remarks that make me uncomfortable, apologizing to people when I have
to take a Jewish holiday off.
Then I had another image flash before me — I’m 13-years-old,
standing at the Bimah giving my haftorah and looking out at a sea
of non-Jewish girlfriends. They are dressed in shiny, pastel flouncy
dresses but what stands out in my mind’s eye is their hands
all painted with the same pink nail polish, clutched around tissues.
Tears streaming down their faces. I remember feeling a lump in my
throat and pausing mid-“baruch”. A wave, a tiny tingle
danced across my back and I felt for the first time the specialness
of being a Jew.
And yet, there I was in the car feeling worse than when I was in
fourth grade and the class bully jacked me up against the brick school
building and said, ‘I am going to beat the sh-t out of you,
stupid Jewish girl.’ I have forgotten over all the years since
my Bat Mitzvah what I love about being Jewish.
And then another memory bubbled up: It is almost two years ago, and
I am at temple, standing under the rabbi’s prayer shawl holding
my daughter, just four months old, her espresso-bean brown eyes large
and solemn as the rabbi’s light and lovely voice chanted prayers
I didn’t know. My husband is on the other side of me, smiling,
tears at the corner of his eyes. Out in the small audience, my in-laws,
who are not Jewish, clutch tissues. My mother-in-law dabs her eyes
and my father-in-law clears his throat a few times and blinks. I felt
that same tingle across my back that I had just 15 years earlier and
again remembered why I loved being Jewish. Why my “recovering
Catholic” husband chose to help me raise our daughter Jewish.
On some unconscious level, I do love being Jewish, and I am not ashamed
of it — but more of myself and the way I have not stood up to
ignorance and prejudice. In that scene I discussed with the confirmation
class, Maddie doesn’t stand up to the teasing but her half-Jewish
friend does. She stands up and points a finger at the kids and says, ‘You’re
all just prejudiced. Not to mention stupid.’ So I realize that
the intention behind that scene was to portray the truth of my own
struggle with combating and standing up to prejudice: I am afraid
to do it but I want to stand next to those who are not.
It is my hope that the next time someone makes a Jewish joke I do
what Susan, the character in my book did, and I say, “You’re
all just prejudiced. Not to mention stupid.”
Hannah R. Goodman of Bristol is the author of the young adult novel, “My Sister’s Wedding.” A former English teacher, her second novel will be published this summer.
<< Back to Hannah's Bio Page
|